戴珍珠耳环的少女油画作品赏析论文怎么写

《戴珍珠耳环的少女》是荷兰黄金时代巨匠维米尔的代表作，是一幅小小的油画，比八开纸大不了多少，油彩都已经干得开裂，但就是这样一幅看似不起眼的小画，却使得许多文人墨客、游人看客在画前欲走不能，是什么在震撼他们的心灵？就是画中的主人公——一位戴珍珠耳环的少女。画中少女的惊鸿一瞥仿佛摄取了观画者的灵魂。维米尔在这幅画中采用了全黑的背景，从而取得了相当强的三维效果。黑色的背景烘托出少女形象的魅力，使她犹如黑暗中的一盏明灯，光彩夺目。画中的少女侧着身，转头向我们凝望，双唇微微开启，仿佛要诉说什么。她闪烁的目光流露殷切之情，头稍稍向左倾侧，仿佛迷失在万千思绪之中。少女身穿一件朴实无华的棕色外衣，白色的衣领、蓝色的头巾和垂下的柠檬色头巾布形成鲜明的色彩对比。维梅尔在画中使用平凡、单纯的色彩和有限的色调范围，然后用清漆取得层次和阴影的效果。这幅画另一个瞩目之处，是少女左耳佩戴的一只泪滴形珍珠耳环，在少女颈部的阴影里似隐似现，是整幅画的点睛之笔。珍珠在维梅尔的画中通常是贞洁的象征，有评论家认为这幅画很可能作于少女成婚前夕。画中少女的气质超凡出尘，她心无旁骛地凝视着画家，也凝视着我们。欣赏这幅画时，观者会很轻易地融化在这脉脉的凝望中，物我两忘。荷兰艺术评论家戈施耶德认为这是维梅尔最出色的作品，是“北方的蒙娜丽莎”。《蒙娜丽莎的微笑》的魅力就在于她的神秘，无人知晓这个女子到底为何能散发出如此恬静的微笑，而画家又是在怎样的心情下画下了这样的作品。此画面世三百多年来，世人都为画中女子惊叹不已：那柔和的衣服线条、耳环的明暗变化，尤其是女子侧身回首、欲言又止、似笑还嗔的回眸，唯《蒙娜丽莎》的微笑可与之媲美。画中女子的真实身份，亦如《蒙娜丽莎》一样，是一个千古遗谜。《戴珍珠耳环的少女》被称为北方的蒙娜丽莎。

回答 戴珍珠耳环的少女充分表达了艺术家多年沉淀下来的才华，少女的美颜和回眸欲语的表情带给人极高的审美愉悦，从而成为美术史上的杰作。这幅画描绘了一个年轻的女孩侧身盯着画家，同时盯着我们，她的嘴唇相互接触，就好像她穿越了300岁刚刚来访的高山峡谷。要被烟雨淋湿，要告诉人们什么，她闪烁的眼睛散发着殷切和温柔，她似乎有点惊讶。也许画中的瞬间就是他被拦下，侧身回头的瞬间。找不到比一瞥更合适的词来形容这一刻了。 少女穿着素净朴素的深棕色外套，白色的衣领衬托出少女纤细善良的脖颈，更显嫩滑，仿佛刚从温泉里钻出来，头巾自然垂下呈蓝色和橙色。戴珍珠耳环的少女创作于17世纪中后期，约1665年，长宽约5cm×39cm。它以油布油画为媒介，描绘了一个年轻女孩美丽动人的一瞥。它现在在荷兰海牙的莫里塔斯皇家博物馆，永远不会作为市政厅的珍宝被检出。这幅画曾经被认为只是当时流行的一个人物肖像，很少表现出很大的光彩。 然而，随着修复的完成和人们的深入探索，其绝世之美、摄人心魄之美、无与伦比之美为人们所熟知。整幅画以纯黑为背景，使得画中的主要描写对象更加生动、吸引人。维米尔用普通简单的颜色搭配清漆，使得画作有层次感的呈现，有很好的立体效果。在色彩对比的应用上，女生就像黑暗中的灯塔一样耀眼。 在维米尔的画中，珍珠往往代表着贞洁，所以这幅作品中珍珠的出现也被认为是这样的一种标志，暗示着女孩们在结婚前夕，为女孩们的美丽增添了一份青春和成熟之美。 亲 希望我的回答对您有所帮助，谢谢您的咨询 提问 我女朋友爱上我后结了婚，放不下我就离婚，离婚时怀孕了，生下女儿，现在三岁了，因其他原因我们三年没真正见面，她用这张图片一年多了做微信头像是什么意思？ 回答 亲 很能理解您的心情，您女朋友应该很喜欢这个照片 所以用她来做头像的 更多5条 

Johannes Vermeer - Girl with a pearl earringWhy is the Girl with the pearl earring Vermeer’s best-loved painting? It must have something to do with the fact that the girl looks over her shoulder, as though hoping to see who is standing behind This draws the viewer into the picture, suggesting that he is the one who has made the girl turn her Equally important, though, are Vermeer’s fresh colours, virtuoso technique and subtle rendering of light The turban is enlivened, for example, with the small highlights that are Vermeer’s The pearl, too, is very special, consisting of little more than two brushstrokes: a bright accent at its upper left and the soft reflection of the white collar on its Then there is the girl herself, who gazes at us, wide-eyed, her sensual mouth She makes an uninhibited, somewhat expectant impression that cannot help exciting our interest, even though we have no idea who she View of DelftThis, the most famous painting by Vermeer, was part of the Amsterdam sale of 1696, 31: "The town of Delft in perspective, to be seen from the south, by J van der Meer of Delft; fl " Sale S J Sinistra et , Amsterdam; 1822, For F 2,900 to de V Purchased by the state of the NTopographic views of cities had become a tradition by the time Vermeer painted his famous Hendrik Vroom was the author of two such works depicting Delft, but they are more archaic because they followed the traditional panoramic approach that we remember from the two cityscapes by Hercules Seghers at the Berlin The latter artist was one of the first to make use of the inverted Galilean telescope to transcribe the preliminary prints and their proportions (more than twice as high as wide) into the more conventional format of his Vermeer executed his View of Delft on the spot, but the optical instrument pointed toward the city and providing the artist with the aspect translated onto canvas, which we admire for its conciseness and special structure, was not the camera obscura but the inverted It is only the latter that condenses the panoramic view of a given sector, diminishes the figures of the foreground to a smaller than normal magnification, emphasizes the foreground as we see it in the picture, and by the same token makes the remainder of the composition recede into The image thus obtained provides us with optical effects that, without being unique in Dutch seventeenth-century painting, as often claimed, convey a cityscape that is united in the composition and enveloped atmospherically into glowing We admire the town, but it is not a profile view of a township, but a painting, an idealized representation of Delft, with its main characteristics simplified and then cast into the framework of a harbour mirroring selected reflections in the water, and a rich, full sky with magnificent cloud formations looming over This is chronologically the last painting by Vermeer that was executed in rich, full pigmentation, with colour accents put in with a fully loaded The artist outdid himself in a rendition of his hometown, which stands as a truly great interpretation of