现代艺术思潮论文

两大源头：古希腊、罗马的神话艺术及文艺理论；中世纪的基督教文学及文化理论。 六大思潮：文艺复兴时期的人文主义文学思潮；18世纪新古典主义文学思潮；法国大革命前后的启蒙主义文学思潮；19世纪初的浪漫主义文学思潮；19世纪和20世纪的现实主义文学思潮；20世纪现代主义与后现代主义思潮。

On the "potential" of the modern ceramic art, -- mud, glaze, the possibility of the fire Abstract: Contemporary Artists of the 20th century thought that the world of modern art is a wonderful Modern potters focus on exploration beyond the skill level to give people the spirit of the field to a wider, deeper level of concern, through its shape, glaze, firing and so on to boldly innovative, experimental, to explore not with the public's pursuit of aesthetic But the artist's subjective sense of publicity, seeking involvement of all the possibilities of modern It is from this technology, art and the concept to explore the possibility of modern ceramic art, that is the "potential" of the modern ceramic Key words: modern ceramics, potential, mud, glaze, fire

内容提要在宗教文化的背景下，西方古代的服饰有着超越肉体需要的神学指向；在“后现代服饰”思潮出现了为了穷尽服饰艺术的各种可能性，后现代服饰设计师

"Latent energy" mud , glaze commenting on modern Tao Yi , the possibility containing in fire makes a summary: Modern Tao Yi is one exotic flower in modern art of 20 centuries worlds trend of The family attaches importance to modern Tao Yi exceed the exploration that feat face tier , give people the spirit field use broader, deeper arrangement of ideas attention, not running after the subjective mental consciousness according with masses aesthetic standards, but being to make an artist known to public , seeks all possibility being sure to become a member of modern Tao Yi by the fact that it's aspect such as model , frit , fever Cheng being innovative courageously during the past , the experiment, The possibility the main body of a book three being come to probe modern times Tao Yi face to face exactly tier from the technology , art and concept, also is to be a "latent energy" of modern Tao Yi keyword: Modern Tao Yi , latent energy , mud , glaze , fire